“Snap Vector Tools and Transforms to Pixel Grid” causes new vector shapes and paths to automatically snap to Photoshop’s pixel grid, ensuring precise alignment when you’re designing graphics for the Web. For example, “Vary Round Brush Hardness based on HUD vertical movement” means that dragging up or down with your mouse while changing paint color with the on-image (HUD) color picker ( Painting from Scratch) changes the brush’s hardness if you’d rather have that motion change opacity instead, turn this checkbox off. The other noteworthy options in the General preferences have to do with painting and drawing vectors (Chapters Chapter 12 and Chapter 13, respectively). If your computer is running at a snail’s pace, try turning off one or both features (they can really tax slower video cards). Other notable options here involve a couple of cool features: animated zoom and flick panning (both covered in Chapter 2).
Will it always choose wisely? Only you can tell. Back in CS6, Adobe added the Automatic option, which tells Photoshop to pick the method that it thinks will work best for your image. The Image Interpolation menu controls the mathematical voodoo Photoshop performs when you resize an image with the Image Size dialog box ( The Mighty Image Size Dialog Box) or the Crop tool ( The Crop Tool). See Painting from Scratch for more on using the HUD Color Picker. (HUD is short for “heads-up display.”) It’s also available in a variety of shapes and sizes (strip or wheel in small, medium, and large), and you can choose among ’em here. The HUD Color Picker setting refers to the on-image color picker you can summon when using a tool that paints, such as the Brush tool. However, since the Adobe Color Picker is designed to work with Photoshop and all its built-in options, using another color picker may mean losing quick access to critical features like Color Libraries ( Loading Color Libraries).
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If you download and install third-party color pickers, they show up in this menu, too. If you’re more comfortable using your operating system’s color picker instead, you can choose it from the Color Picker drop-down menu. Unless you tell it otherwise, Photoshop displays the Adobe Color Picker (see Choosing Individual Colors) anytime you choose a color. It’s also a great way to bring an assistant or coworker up to speed on your workflow. This is an invaluable tool for folks who need to prove what they’ve done to an image in order to bill clients or produce legal documentation of all the edits they’ve made (think law enforcement professionals and criminal investigators). If you turn on History Log, Photoshop keeps track of everything you do to the document.
Quick access to style controls, such as Drop Shadow, Bevel & Emboss and Color Overlay.Figure 1-12. The General preferences include the incredibly powerful History Log settings. Copy multiple layersĭraw a selection, then use this command to take every layer into the clipboard, rather than just the current layer selection. If you decide to change your mind, you can always select the image and send it to the back of the pile. This Photoshop shortcut enables you to bring any selected image to the front. It does exactly the same as the command above, but in the opposite direction. Here, you can move your preferred layer to the top of the stack of images you're working with in Photoshop. The only difference via cut is that it will remove the selected image portion from the original image. Like creating a new layer via copy, this command will create a new layer with the selected image area in it. Use this command to create a new layer from an existing one. This is useful if you need to make adjustments later on.
To see them merged as a new layer, simply add in the Shift modifier. Once you've selected your layers, use this command to merge them into just one layer. Beware! Once merged, they're extremely difficult to separate. This command enables you to merge all your existing layers to create one new layer. This adds a flattened version of the image to the new layer but leaves the stacked layers intact too. Flatten layersĪdd a new, empty layer to the top of your stack, select it and use the above command to flatten the layers in an image to sharpen the result.
This command will fill an empty later with the current foreground or background colour. WINDOWS: Alt+Delete (foreground) or Ctrl+Delete (background).MAC: Alt+Backspace (foreground) or Cmd+Backspace (background).
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